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They went from being a mostly rural population to one that was mostly urban. "The migration of African Americans from the rural south to the urban north became a mass movement." [16] The Great Migration radically transformed Chicago, both politically and culturally. [17] From 1910 to 1940, most African Americans who migrated north were from ...
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Additionally, the African American population in the Roseland area increased exponentially following the riot. Takei cites census data for Chicago neighborhoods to track the increase—while only 4.2% of Roseland was African American in 1940, the black population grew to represent 18.4% of the community by 1950. [26]
The Club DeLisa, [2] also written Delisa or De Lisa, was an African-American nightclub and music venue in Chicago, Illinois.Located at 5521 South State Street (State Street and Garfield Avenue, on the South Side), it was possibly the most prestigious venue in the city. [3]
Arthur Bernard Leaner (June 30, 1908 – September 6, 1978), who was known professionally as Al Benson, was an American radio DJ, music promoter and record label owner in Chicago between the 1940s and 1960s. He was particularly significant for his promotion of rhythm and blues music and black involvement in the recording industry in Chicago. [1]
The American Negro Exposition, also known as the Black World's Fair and the Diamond Jubilee Exposition, was a world's fair held in Chicago from July until September in 1940, to celebrate the 75th anniversary (also known as a diamond jubilee) of the end of slavery in the United States at the conclusion of the Civil War in 1865.
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
Daddy-O" was the first African-American hosting a regularly scheduled radio show on a network owned and operated Chicago radio station. [13] At station WNTD -AM, previously WAAF-AM, a daytime only station, Daddy-O played jazz in the late morning and was followed on air by Olympic great Jesse Owens whom also played jazz from noon-3. [ 14 ]