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A music video for "Safe & Sound", directed by Philip Andelman and filmed in Watertown, Tennessee, was released on February 13, 2012. Music critics described the production as haunting and eerie and generally praised the songwriting. "Safe & Sound" won Best Song Written for Visual Media at the 55th Annual Grammy Awards in 2013.
"Safe and Sound" is a song by American indie pop duo Capital Cities, written and produced by band members Ryan Merchant and Sebu Simonian. The song was released as a single on January 6, 2011, and first appeared on their debut EP Capital Cities (2011), later serving as the lead single from their debut studio album, In a Tidal Wave of Mystery (2013).
"Safe and Sound", a song by Hawksley Workman from the 1999 album For Him and the Girls "Safe and Sound", a song by Hunter (now Cunter) from their 2009 extended play 8
"Safe and Sound" received positive reviews from critics. They often praised the song's disco-like structure and sound.Ryan Reed of Rolling Stone called the song "a psychedelic disco epic built on finger snaps, synth-strings, spastic jazz-fusion synths and one of the fiercest slap-bass grooves since Patrice Rushen's 1982 classic 'Forget Me Nots'."
The pair then wrote "Safe and Sound" and began working on their debut album; the title In a Tidal Wave of Mystery originates from a lyric in the third verse of "Safe and Sound". Merchant and Simonian wrote, composed, produced and mixed the entirety of the album, with the exception of "Lazy Lies", produced by Simon Mills. [ 2 ]
The song concludes with Swift going home with a feeling of resignation. She’s not “the one,” but the other person will “find someone.” People drift apart; that doesn’t mean the other ...
Safe and sound at home again, let the waters roar, Jack. Safe and sound at home again, let the waters roar, Jack. Chorus Long we've tossed on the rolling main, now we're safe ashore, Jack. Don't forget yer old shipmate, faldee raldee raldee raldee rye-eye-doe! Since we sailed from Plymouth Sound, four years gone, or nigh, Jack.
The subverted iconography proves that heavier topics were on Lamar’s mind. That felt more urgent and timely than celebrating his hit songs of yesteryear (if that’s what you’re looking for ...