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In Greek mythology, Adonis (Ancient Greek: Ἄδωνις, romanized: Adōnis; Phoenician: 𐤀𐤃𐤍, romanized: Adón) was the mortal lover of the goddesses Aphrodite and Persephone. He was considered to be the ideal of male beauty in classical antiquity .
The Greeks considered Adonis's cult to be of Near Eastern origin. Adonis's name comes from a Canaanite word meaning "lord" and most modern scholars consider the story of Aphrodite and Adonis to be derived from a Levantine version of the earlier Mesopotamian myth of Inanna (Ishtar) and Dumuzid (Tammuz).
The painting may be seen as one in a series of spectacular and challenging works by Waterhouse, each of which show moments of fateful confrontation between the gods and mortals of Greek and Roman legend, and may be compared to Hylas and the Nymphs (Manchester City Art Gallery) and Flora and the Zephyrs (offered in these rooms, 6 November 1996 ...
The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull, and dolphin. Demeter: Ceres: Goddess of the harvest, fertility, agriculture, nature and the seasons.
Divine power allowed the gods to intervene in mortal affairs in various ways; they could cause natural events such as rain, wind, the growing of crops, or epidemics, and were able to dictate the outcomes of complex human events, such as battles or political situations.
Adonism is a polytheistic religion, revolving around a belief that there are five principal gods: Belus, Biltis, Adonis, Dido and Molchos. Adonis is the most prominent of these in the group's theology, being a benevolent figure that Sättler equated with the Christian figure of Satan.
The Adonis bears the signature of Duquesnoy, and the statue, created around an ancient torso, should be indeed accepted as "a veritable artistic creation [of Duquesnoy]". [2] It depicts Adonis, the mortal lover of the goddess Aphrodite in Greek mythology. The backward tilt of the figure is reminiscent of Duquesnoy's bronze Mercury. [3]
Marcantonio Franceschini - The Birth of Adonis, 1690. Myrrha (Ancient Greek: Μύρρα, romanized: Mýrrha), also known as Smyrna (Ancient Greek: Σμύρνα, romanized: Smýrna), is the mother of Adonis in Greek mythology. She was transformed into a myrrh tree after having intercourse with her father, and gave birth to Adonis in tree form.