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Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide , a "modification of the vowel quality of a tone".
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
A list of sad songs for the next time you're feeling blue and depressed, including "hope ur ok" by Olivia Rodrigo, "Un-Break My Heart by Toni Braxton" and more.
Empathetic sound in a film refers to music or sound effects that match the present action or scene in rhythm, tone, and/or mood and aim to evoke that mood in the audience. The concept, coined by Michel Chion and also associated with Robert Stam , is derived from empathy , i.e., feeling the feelings of others.
The music video for it was released on YouTube on July ... more sad elements, and a bit of a guitar on a club beat. ... When people put in that kind of sound effect ...
The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop. This was later adapted to four tracks to create a "walk around the room" effect in quadraphonic presentations of the album. [45]
Slowcore prominently incorporates stylings and traits from indie rock and contemporary folk music. [4] [5] [1] Indie rock is a broad subgenre of rock music that emerged in the 1980s and encapsulates music released independently or through low-budget record labels that typically fails to appeal to mainstream audiences. [6]
The most widely used modern variation is the "Shock Horror (A)" effect recorded in 1983 by composer Dick Walter as part of a series of four vinyl albums of sound snippets known as The Editor's Companion. [1] This version is inverted from the Young Frankenstein pattern, using the notes E♭ - C - F♯, with the F♯ being especially discordant.
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