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The Colorsound Power Boost is a treble and bass booster that runs on 18 volts, using two nine-volt batteries. David Gilmour used this orange coloured unit, but is often misunderstood to have used an Orange brand Treble Booster. [14] Other notable users include Gary Moore. [15]
The GK used a tube preamp simulator circuit called "boost". GK 800RB users include Red Hot Chili Peppers bassist Flea and Guns N' Roses' Duff McKagan. [4] The Marshall JMP Super Bass is a 100 watt amp. Lemmy, bassist/lead singer of Motörhead, used numerous of these amps to drive cabinets with four 12" speakers and others with four 15" speakers.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root or fifth of the chord in their basslines (and to a lesser degree, the third of the chord) and accents the strong beats.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound ...
The fittings are die-cast gold, and the pickups are covered by a plastic sheath. The access panel for the electronics in the Lyte is located at the back of the bass, secured with 4 screws. There are four different control knobs on the Lyte, consisting of a Master Volume, Pan, Bass Boost/Cut and Treble Boost/Cut.
Most of the amplifiers produced by ACC were solid-state, but a few models later in production were valve amps. The company is remembered in particular for its Acoustic 361 bass stack, consisting of an Acoustic 360 bass pre-amplifier and one or two Acoustic 361 W-bins, each featuring a built-in 200-watt RMS power amplifier and a rear-facing 18" Cerwin-Vega loudspeaker.
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