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Joseph Haydn used its theme in the Finale (4th Mvt) of his Symphony 83 (1785–86); one of the 6 Paris Symphonies, and the music also appears in the final movement of English composer Eric Coates' suite The Three Men. "Three Blind Mice" was used as a theme song for The Three Stooges and a Curtis Fuller arrangement of the rhyme is featured on ...
"Kingston Calypso" (a version of "Three Blind Mice") – Byron Lee and the Dragonaires "Jamaican Rock" (not heard in the film, a possible unused title track) "Jump Up" – Byron Lee and the Dragonaires "Audio Bongo" (an electronic music version of a musical theme for Dr. No) "Under the Mango Tree" – Diana Coupland
The first Stooges short to employ this theme was 1935's Pardon My Scotch; in later shorts the song was replaced with "Three Blind Mice." Perhaps not coincidentally, once and future Stooge Shemp Howard whistles it repeatedly throughout The Bank Dick. The song later became associated as the theme of Terrytoons talking magpie characters Heckle and ...
"Hungry Like the Wolf" by Duran Duran; sung by the Three Pigs (Cody Cameron) and the Big Bad Wolf (Aron Warner) "I'm Too Sexy" by Right Said Fred; sung by Prince Charming (Randy Crenshaw) "I Can See Clearly Now" by Johnny Nash; sung by The Three Blind Mice (Randy Crenshaw) "Sugar, Sugar" by The Archies; sung by Gingy (Conrad Vernon)
Alternative music mix for the Del Rubio Triplets opening "Hop to It" Alternative intro to Bobby Brown's "Three Blind Mice" More present and different musical score, with background music playing through most of the film as opposed to various non-musical moments in the uncut version.
Start Cheering (March 3) § 30 Tassels in the Air (April 1) 31 Healthy, Wealthy and Dumb (May 20) 32 Violent is the Word for Curly (July 2) 33 Three Missing Links (July 29) 34 Mutts to You (October 14) 35 Flat Foot Stooges (December 5) (first with "Three Blind Mice" as the Stooges' official theme song)
To preclude potential licensing entanglements, Cambria abstained from employing any of the Stooges' theme songs, including "Three Blind Mice" and "Listen to the Mockingbird", despite their lapse into the public domain. Similarly, the on-screen titling employed a numeral "3" to circumvent potential infringement on any trademark held by Columbia ...
The finished piece instantly became a favorite of audiences and Arthur Fiedler alike. Fiedler programmed it so frequently in Pops concerts that the Pops audiences began referring to it as "Fiedler-Faddle". Written in classic "song-and-trio" form, it is based on the childhood nursery song "Three Blind Mice". It was recorded many times in the ...