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The tondo as a format for painting and relief sculpture was a quintessential product of the Florentine Renaissance. During the century after 1430, all the leading artists created tondi, including Filippo Lippi, Botticelli, Luca Signorelli, Piero di Cosimo, Fra Bartolomeo, Andrea del Sarto, Leonardo da Vinci (in a lost work), and Raphael.
Taddei Tondo The Pitti Tondo ( Tondo Pitti ) is an unfinished marble relief of the Virgin and Child by Michelangelo in round or tondo form. It was executed between 1503 and 1504 while he was residing in Florence and is now in the Museo nazionale del Bargello in Florence .
A tondo (pl.: tondi or tondos) is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo , "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for ...
The most prized possession of the Academy's collection is Michelangelo's Taddei Tondo, left to the Academy by Sir George Beaumont. The Tondo is usually on display in the Collection Gallery, which opened in May 2018.
Madonna and Child (Tondo Pitti) c. 1503 – 1504 Museo Nazionale del Bargello, Florence: Marble 85,8 × 82 cm Madonna and Child with the Infant Saint John (Taddei Tondo) c. 1504 – 1506 Royal Academy of Arts, London Marble/Coon (a type of graphite) diameter 82.5 cm Saint Matthew: c. 1505 Galleria dell'Accademia, Florence: Marble height 271 cm
The Doni Tondo, depicting the Holy Family, has elements of all three previous works: the frieze of figures in the background has the appearance of a low-relief, while the circular shape and dynamic forms echo the Taddeo Tondo. The twisting motion present in the Madonna of Bruges is accentuated in the painting. The painting heralds the forms ...
The Doni Tondo or Doni Madonna is the only finished panel painting by the mature Michelangelo to survive. [1] [nb 1] Now in the Uffizi in Florence, Italy, and still in its original frame, the Doni Tondo was probably commissioned by Agnolo Doni to commemorate his marriage to Maddalena Strozzi, the daughter of a powerful Tuscan family. [2]
The most famous fruit of Beaumont's patronage is the Constable's painting of the cenotaph erected to Reynolds in the grounds at Coleorton (painted 1833–6; now in the National Gallery). Taddei Tondo (Michelangelo, c. 1504–5)