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B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
Self portrait in a cloak with a falling collar: bust: 1630-1631 B366: 1: Sheet of studies of men's heads: About 1630-31 B007: 11: Self portrait in a soft hat and embroidered cloak: 1631 B016: 1: Self portrait in a heavy fur cap: bust: 1631 B134: 3: Old woman seated in a cottage with a string of onions on the wall: 1631 B135: 5: Peasant with his ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
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Rembrandt. Self Portrait, c. 1655. Oil on panel, 48.9 x 40.2 cm. Kunsthistorisches Museum. Self Portrait (or The Large Self-Portrait) [1] is an oil-on-canvas painting by the Dutch artist Rembrandt. Painted in 1652, it is one of more than 40 painted self-portraits by Rembrandt, and was the first he had painted since 1645. [2]
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Self-portrait at an early age shows the artist in a relaxed state. With that, the portrait is clearly not a tronie, focused on the study of faces. Rembrandt, early in artistic development, concentrates mainly on the effect of light and how it falls on various materials, including the skin and the wall; practising the technique of chiaroscuro.