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"Hurt So Bad" is a song written by Teddy Randazzo, Bobby Weinstein, and Bobby Hart. It is a 1965 Top 10 hit ballad originally recorded by Little Anthony & The Imperials . Linda Ronstadt also had a Top 10 hit with her cover version in 1980.
The album's singles — the manic, Blondie-esque rocker "How Do I Make You" and the dark, breathless remake of the 1965 ballad "Hurt So Bad" — climbed to the #10 and #8 positions on the Billboard charts in mid 1980, while other tracks like "I Can't Let Go" received heavy rotation on classic rock FM stations.
"Why Does It Hurt So Bad" is an R&B ballad. [2] The song was written and produced by Kenneth Brian Edmonds, popularly known as "Babyface". According to the sheet music book for The Greatest Hits at Sheetmusicplus.com, the song is written in the key of B ♭ major, and moves at a tempo of 69 beats per minute. [3]
In July 2011, the music video was named one of "The 30 All-TIME Best Music Videos" by Time. [30] It was ranked the greatest music video of all time by NME. [31] The house where Cash's music video for "Hurt" was shot, which was Cash's home for nearly 30 years, was destroyed in a fire on April 10, 2007. [32]
The music video reached the number one spot on MTV Jams for five days and 22 days on TRL. The music video was also nominated at the 2008 MTV Video Music Awards for Best Male Video and Best Hip-Hop Video , but lost to Hurricane Chris ' " Playas Rock " (Best Male Video) and Birdman 's " Pop Bottles " (Best Hip-Hop Video) music videos.
Hurt So Bad is a 1969 studio album by Nancy Wilson, featuring arrangements by Jimmy Jones, Billy May, Oliver Nelson, and others.The album entered the Billboard Top 200 Chart on November 8, 1969, and remained for 18 weeks, peaking at #92 in January 1970.
The songs you love listening to most, especially melancholy or bittersweet tunes, could temporarily soothe the perception of pain, a new study found.
Great Sounds Great, Good Sounds Good, So-so Sounds So-so, Bad Sounds Bad, Rotten Sounds Rotten (usually simply known as Great Sounds Great) is the second EP by The Clean, a lo-fi rock band from Dunedin, New Zealand. [2] [3] [4] It was released by Flying Nun Records on 12" vinyl in 1982.