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Accompanying a manuscript Geisel wrote in 1974 was a letter outlining his hopes of finding "a great color artist who will not be dominated by me". [1] Geisel saw his original text about feelings and moods as part of the "first book ever to be based on beautiful illustrations and sensational color". [1]
Download as PDF; Printable version; In other projects ... Colors 2 may refer to: Colours 2, 2017 EP by PartyNextDoor; Colors II ... 2021 album by Between the Buried ...
The Secret Lives of Colour is a 2016 non-fiction book by British writer Kassia St. Clair which explores the cultural and social history of colours.The book, which is based on a column St. Clair writes for British magazine Elle Decoration, is organized in a series of chapters by color, arranged from white to black. [1]
Colors II is the tenth studio album by American progressive metalcore band Between the Buried and Me. It was released on August 20, 2021 through Sumerian Records, their second release with the label, after the two-part album Automata I and II. It serves as a direct follow-up to their 2007 album Colors. [1] [2]
Our Colors (Japanese: 僕らの色彩, Hepburn: Bokura no Shikisai) is a Japanese manga series written and illustrated by Gengoroh Tagame. It was serialized in Futabasha 's Monthly Action magazine from March 2018 to May 2020 and collected into three tankōbon volumes.
"The Distance of the Moon", the first and probably the best known story. Calvino takes the fact that the Moon used to be much closer to the Earth, and builds a story about a love triangle among people who used to jump between the Earth and the Moon; the lovers gradually drift apart as the Moon recedes.
The New York Times said the book was a mixture between Stephen King's novel Misery and The Catcher in the Rye ' s main character Holden Caulfield. [1] On the other hand, the Lodi News-Sentinel hoped that abused youth would be persuaded to look for help after reading this book. [ 2 ]
The Woman Who Knew Too Much is a book about Alice Stewart, authored by Gayle Greene, and published by University of Michigan Press in 1999. The foreword is written by Helen Caldicott . [ 1 ] [ 2 ] [ 3 ]
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