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Commissioned by N.Y.S. Music Teacher's Assoc. Premiered October 1989. Influenced by Greek folk music featuring a clarinet solo as a virtuoso instrument. Sonata, for oboe & piano (1991) [186] ob pf USCO [187] WorldCat [188] (00:16:00) Oboe and piano duo. Written for and Premiered by the Vinland Duo at the Weill Recital Hall, NY.
This file has an extracted image: My Blue Heaven (1927) sheet music cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Circles is a composition for female voice, harp and two percussionists by the Italian composer Luciano Berio. Written in 1960 Circles is a setting of three poems by E. E. Cummings , [ 1 ] including the poems "Stinging", "Riverly Is a Flower", and "N(o)w".
Solo Piano (1989) is an album of piano music composed and performed by Philip Glass. It was produced by Kurt Munkacsi. It was produced by Kurt Munkacsi. The title of five of the seven tracks, "Metamorphosis", refers to and was inspired by the 1915 novella The Metamorphosis by Franz Kafka .
Hymn of Heaven is the eighth studio album by American contemporary Christian singer Phil Wickham. It was released on June 25, 2021, [1] by Fair Trade Services and Columbia Records. The album features a guest appearance by Brandon Lake. The album has been supported by the release of "Battle Belongs", "House of the Lord" and "Hymn of Heaven" as
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
For Messiah, Handel used the same musical technique as for those works, namely a structure based on chorus and solo singing. The orchestra scoring is simple. Although Handel had good string players at his disposal for the Dublin premiere, [ 6 ] he may have been uncertain about the woodwind players who might be available.