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Navajo weaving ( Navajo: diyogí) are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy.
Flag of the Navajo Nation. Large Rainbow compassing the Flag, four Mountains one White, Blue, Yellow and Black; Navajo Reservation outline in Copper Orange. Official design of the Navajo Nation flag as it was adopted by the Navajo Nation Council on May 21, 1968 by Resolution CMY-55-68. This design is predominantly used by the Navajo Nation ...
Hosteen (spelled "Hastiin" in the Navajo language) Klah was born to Navajo parents Hoksay Nolyae and Ahson Tsosie in 1867 in the Tunicha Valley of New Mexico, USA. He was called "Klah" for being left-handed. Able to avoid residential schooling, Klah learned traditional Navajo spirituality from his uncle, who was a medicine man. [2]
R. C. Gorman. Rudolph Carl Gorman (July 26, 1931 – November 3, 2005) was a Native American artist of the Navajo Nation. Referred to as "the Picasso of American Indian artists" by The New York Times, [ 1] his paintings are primarily of Native American women and characterized by fluid forms and vibrant colors, though he also worked in sculpture ...
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
Diné Bahaneʼ. Diné Bahaneʼ ( Navajo pronunciation: [tɪ̀né pɑ̀xɑ̀nèʔ], Navajo: "Story of the People" ), is a Navajo creation story that describes the prehistoric emergence of the Navajo as a part of the Navajo religious beliefs. It centers on the area known as the Dinétah, the traditional homeland of the Navajo, and forms the basis ...
Begay is a fourth generation weaver [3] who grew up surrounded by women weavers. [4] From them she learned sheep herding and shearing, and how to work with wool. She learned to spin and card wool, and traditional Navajo weaving techniques. [4] Her mother taught her to identify plants to make dyes and to understand the dyeing process. [5]
Miss Traditional Navajo 1961–1962 Alyse Neundorf Miss Modern Navajo 1960–1961 Bernice Skeet Miss Traditional Navajo 1960–1961 Roseanne Kellywood Bahe Miss Modern Navajo 1959–1960 Elsie Curley Raymond Miss Traditional Navajo 1959–1960 Joy Jean Sells Hanley Miss Modern Navajo 1958–1959 Dorothy Curtis Fixico Miss Traditional Navajo
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