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Chinese folklore encompasses the folklore of China, and includes songs, poetry, dances, puppetry, and tales. It often tells stories of human nature, historical or legendary events, love, and the supernatural. The stories often explain natural phenomena and distinctive landmarks. [1] Along with Chinese mythology, it forms an important element in ...
Chinese paper cutting (剪纸, jianzhi) is a type of folk art that has roots in China during the 6th century and is attributed to Cai Lun during the Han Dynasty. Known to be very intricate with the use of negative space, paper cutting is used for mostly decorative reasons, appearing on mirrors, lanterns, walls, etc.
Chinese knotting, also known as zhongguo jie (Chinese: 中國結; pinyin: Zhōngguó jié), is a Chinese folk art with ties to Buddhism and Taoism. [1] A Chinese knot is made from a single length of cord that is woven into different shapes, with each shape having a symbolic meaning. [2] The most common color used in Chinese knotting is red, a ...
e. Chinese mythology (simplified Chinese: 中国神话; traditional Chinese: 中國神話; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Huishan clay figurine (Chinese: 惠山泥人; pinyin: Huìshān ní rén) is a traditional Chinese folk art in Wuxi, Jiangsu Province, China, with a history of more than 400 years. [1][2] The production of Wuxi Huishan clay figurines began at the end of the Ming dynasty and developed in the Qing dynasty with specialized Huishan clay ...
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