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Inserts an explanatory footnote. Notes can be named and grouped. Will show as for example: [Note 1] Template parameters [Edit template data] This template prefers inline formatting of parameters. Parameter Description Type Status Text 1 note content text Text of the note Content required Name name Reference name of the note Line optional The above documentation is transcluded from Template ...
The note templates place notes into an article, and the ref templates place labeled references to the notes, with the labels normally hyperlinks for navigating from a ref to a corresponding note and back from the note to the ref. The label pair of templates are similar to the pair without the label name, but with more features.
A demonstration of default output, for an actual note about this template: Note: The "A" in the name of this template doesn't stand for anything, it's the English article "a". {} already existed as part of the old way of doing citations. Pass an argument for a custom start. {{A note|Custom note:}} produces: Custom note:
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
Some claim that it was created by the philosopher Victor Cousin, although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007). [7]
The Cornell Notes system (also Cornell note-taking system, Cornell method, or Cornell way) is a note-taking system devised in the 1950s by Walter Pauk, an education professor at Cornell University. Pauk advocated its use in his best-selling book How to Study in College . [ 1 ]
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We would then take the name partly in its transcendental meaning, and partly in the psychological meaning. (Critique of Pure Reason, A 21, note.) Nine years later, in his Critique of Judgment, Kant conformed to Baumgarten's new usage and employed the word aesthetic to mean the judgment of taste or the estimation of the beautiful. For Kant, an ...