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The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
The Entombment of Christ (c. 1633-1635) by Rembrandt The Entombment of Christ is an oil-on-oak panel painting by Rembrandt believed to be dated around c. 1624. It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich. In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of ...
Boaz and Ruth are a pair of paintings by Rembrandt dated to 1643 and thought to represent the painter and his wife as the biblical characters Boaz and Ruth. Ruth is in the possession of the Berlin Gemäldegalerie. Boaz, however, is in the collection at Woburn Abbey where it was hung high on a wall and only identified as a Rembrandt in 2012. [1 ...
These 55 thoughtful marriage quotes can add a bit of pizzazz to an anniversary card, wedding vows, or even a toast for newlyweds. They can also make you think more deeply on the meaning of love ...
That's not all! This list is full of wedding quotes and sayings from our favorite romance movies, too. So, take a look through these marriage quotes to celebrate your never-ending love. Mignon ...
These best Easter quotes are perfect for reading to your family on Sunday morning, share on social media, or send to a friend. ... “We proclaim the resurrection of Christ when his light ...
The woman in the background, who either represents Mary or Anna the Prophetess, was probably added after artist's death by an unknown painter working in Rembrandt's workshop. [2] [3] Rembrandt had painted the same motif at least twice before: in Simeon and Anna in the Temple, [4] [5] and in Simeon's Song of Praise. [6] [7]
— In the centre foreground, the Cross, to which Christ is fastened, is raised from the right by four executioners. The man on the left of the group wears a cuirass and helmet. The man in the centre, wearing a light blue coat, has the features and the familiar blue cap of the painter.