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In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Deconstruction as a strategy tries to find the most surprising contradictions in texts, unravel them, and build upon this; instead of finding the truth, the closure, or the steadfast meaning, it finds absence of presence, freeplay of meanings, etc. It is this absence of presence that is described as 'trace' by Derrida.
Deconstruction is a critical outlook concerned with the relationship between text and meaning. Jacques Derrida 's 1967 work Of Grammatology introduced the majority of ideas influential within deconstruction.
These relations with other terms express not only meaning but also values. Such oppositions are put to work in texts in both theoretical and practical ways. The first task of deconstruction is to reveal their operation in philosophical, literary, juridical etc. texts: [13] On the one hand, we must traverse a phase of overturning.
Of Grammatology (French: De la grammatologie) is a 1967 book by the French philosopher Jacques Derrida.The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of ...
A year later, in 1967, Roland Barthes published "The Death of the Author", in which he announced a metaphorical event: the "death" of the author as an authentic source of meaning for a given text. Barthes argued that any literary text has multiple meanings and that the author was not the prime source of the work's semantic content.
She was a Professor of English and Comparative Literature and the Fredric Wertham Professor of Law and Psychiatry in Society at Harvard University. She studied at Yale University while the Yale School of deconstruction was in ascendence. Much of her work centered on social subordination, identity politics, literary theory, and deconstruction. [36]
Paul de Man (December 6, 1919 – December 21, 1983), born Paul Adolph Michel Deman, [1] was a Belgian-born literary critic and literary theorist.He was known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory.