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Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, and classical scholar at Cambridge University, being a fellow first of Peterhouse then of Pembroke College. He is widely known for his Elegy Written in a Country Churchyard , published in 1751.
Download as PDF; Printable version; ... Pages in category "Poetry by Thomas Gray" ... The Bard (poem) E. Elegy Written in a Country Churchyard
"Ode on a Distant Prospect of Eton College" is an 18th-century ode by Thomas Gray. It is composed of ten 10-line stanzas, rhyming ABABCCDEED, with the B lines and final D line in iambic trimeter and the others in iambic tetrameter. In this poem, Gray coined the phrase "Ignorance is bliss". It occurs in the final stanza of the poem:
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
In 1751, Thomas Gray published "Elegy Written in a Country Churchyard", composed in the heroic stanza.Written in iambic pentameter, the poem followed the same metrical and structural patterns seen in Annus Mirabilis, but the use of the poetic form in an elegy gave it the title of the "elegiac decasyllabic quatrain". [3]
For example, in 1775 the poet Thomas Gray published a journal of his visit to the area, describing the vale of Grasmere as "an unsuspected paradise." [5] The first Lakeland visitors' guide (as opposed to a traveller's journal) appeared in 1778, when Thomas West published a route for travellers that included advice on viewing the landscape. [5]