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The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Strawberry Thief, 1883, William Morris (1834-1896) V&A Museum no. T.586-1919 Strawberry Thief is one of William Morris's most popular repeating designs for textiles. [1] It takes as its subject the thrushes that Morris found stealing fruit in his kitchen garden of his countryside home, Kelmscott Manor, in Oxfordshire.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Each Little Bird That Sings is a 2005 novel aimed for people of all ages, by Deborah Wiles, the author of Love, Ruby Lavender.It won the 2006 Association of Booksellers for Children E. B. White Read Aloud Award for older children, [1] was a finalist at the 2005 United States National Book Awards, [2] and won the California Young Reader Medal in 2008.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
As climate change fuels stronger storms, those can disrupt migration patterns, causing birds to stay in certain areas for longer, move later in the season, or risk mortality moving during a hurricane.
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
The bird-and-flower motif started appearing in Japanese art around the Muromachi period during the 14th century, and developed its own distinct style. It also entered ukiyo-e woodblock printing, where it was known as kachō-e (花鳥絵). Especially the shin hanga movement produced a number of works with this motif starting in the Meiji era.
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