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The standard Baroque oboe is generally made of boxwood and has three keys: a "great" key and two side keys (the side key is often doubled to facilitate use of either the right or left hand on the bottom holes).
Two works [13] by Janitsch bear a dedication to Jacobi, and several other works in extremely uncharacteristic keys for the oboe [14] by Janitsch can be presumed to have been composed for him. They are a testament to his great skill on the instrument. Bruce Haynes lists him among the great oboists of the baroque period. [15]
The oboe da caccia (pronounced [ˈɔːboe da (k)ˈkattʃa]; literally "hunting oboe" in Italian), also sometimes referred to as an oboe da silva, is a double reed woodwind instrument in the oboe family, pitched a fifth below the oboe and used primarily in the Baroque period of European classical music. It has a curved tube, and in the case of ...
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. [1] The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic ...
Like other oboes, the bombard uses a brass staple as the basis for its double reed. A conical or cylindrical, depending on the model, outer layer of cork around the bottom section of the staple, similar to the staple of the conservatoire oboe, enables the reed to be easily and predictably placed with an airtight seal into the reed-socket at the ...
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
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