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A German holy card from around 1910 depicting the crucifixion The earliest known woodcut, St Christopher, 1423, Buxheim, with hand-colouring Prayer card of the Holy Face of Jesus In the Christian tradition, holy cards or prayer cards are small, devotional pictures for the use of the faithful that usually depict a religious scene or a saint in ...
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Chewning, Susannah Mary (ed.), The Milieu and Context of the Wooing Group (Cardiff: University of Wales Press, 2009) Innes-Parker, Catherine. “Ancrene Wisse and Þe Wohunge of ure Lauerd: The Thirteenth-Century Female Reader and the Lover-Knight,” in Women, the Book, and the Godly: Selected Proceedings of the St.Hilda’s Conference, 1993, edited by Lesley Smith and Jane H. M. Taylor.
The Raccolta (literally, "collection" in Italian), is a book, published in many editions from 1807 to 1952, that collected the texts of Roman Catholic prayers and briefly described other acts of piety, such as visiting and praying in particular churches, for which specific indulgences were granted by popes.
The arrival of the English after the Portuguese, added to the spread of devotions to the saint. Elsewhere in Kerala, the annual ten-day prayer feast at the massive 19th century St. George's Church in Edathua (which resembles the Medieval churches of Europe) attracts many pilgrims. [50] [51]
The San Rossore Reliquary is a gilded bronze sculpture of 1424–1427 by Donatello. The monks of Ognissanti, Florence had acquired the skull of Saint Luxorius (popularly known in Pisa as "san Rossore") in 1422 and two years later they commissioned the reliquary to house it. The casting was handled by Jacopo degli Stroza who created it of five ...
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. [1] It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.
Bertoldo was a pupil of Donatello.He worked in Donatello's workshop for many years, completing Donatello's unfinished works after his death in 1466, [2] for example the bronze pulpit reliefs from the life of Christ in the Basilica di San Lorenzo di Firenze in Florence.
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