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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
A medieval silver cross pendant inscribed with the letters AG LA. AGLA (אגלא) is a magic word that appears in some charms.Its meaning is unsettled, but is widely reputed to be a noṭariqōn or kabbalistic acronym for Hebrew: אַתָּה גִּבּוֹר לְעוֹלָם אֲדֹנָי, romanized: ʾAtā gībōr ləʿōlām ʾĂḏōnāy, "Thou, O Lord, art mighty forever."
The Ketef Hinnom scrolls, also described as Ketef Hinnom amulets, are the oldest surviving texts currently known from the Hebrew Bible, dated to c. 600 BCE. [2] The text, written in the Paleo-Hebrew script (not the Babylonian square letters of the modern Hebrew alphabet, more familiar to most modern readers), is from the Book of Numbers in the Hebrew Bible, and has been described as "one of ...
Heavy and rather voluminous jewelry was very popular, regardless of social class. It was made from turquoise, metals like gold and silver, and small beads. Both men and women adorned themselves with earrings, bracelets, rings, necklaces and neck collars that were brightly colored.
On the Sabbath and Jewish holidays, women would wear a variant known as gargush gadifah, which is made of black velvet, with silver decorations around the hood border. [7] Traditionally, in Yemenite Jewish culture, at the age of seven, a girl would wear her first gargush, typically a basic one with nominal silver decorations.
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