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Auer was born in Veszprém, Hungary, 7 June 1845, [1] to a poor Jewish household of painters. [2] He first studied violin with a local concertmaster.He later wrote that the violin was a "logical instrument" for any (musically inclined) Hungarian boy to take up because it "didn't cost much."
Leopold Auer, Violin Playing As I Teach It, Dover Publications 1980; Ivan Galamian, Principles of Violin Playing and Teaching, Dover Publications 2013; Ivan Galamian and Frederick Neumann, Contemporary Violin Technique, Book 1, Galaxy Music
Vadim Gluzman (Вадим Михайлович Глузман, born 1973) is a Ukrainian-born Israeli classical violinist renowned for his performances on the "Ex-Leopold Auer" Stradivarius violin, crafted in 1690.
The violinist and teacher Leopold Auer, writing in his book Violin Playing as I Teach It (1920), advised violinists to practise playing completely without vibrato, and to stop playing for a few minutes as soon as they noticed themselves playing with vibrato in order for them to gain complete control over their technique.
Zhong is the author of the violin instruction book A Violinist's Handbook, A Simpler Manual to Learn the Instrument, a method manual that combines the Leopold Auer Violin School guidelines with his own findings in practical solutions. He became a U.S. citizen in 2000.
He wrote two violin method books, Principles of Violin Playing and Teaching (1962) and Contemporary Violin Technique (1962). [1] Galamian incorporated aspects of both the Russian and French schools of violin technique in his approach. [6] In 1944 he founded the Meadowmount School of Music, a summer program in Westport, New York. The school has ...
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arrangement of Nos. 1–24 by Ferdinand David for violin and piano (c. 1860) version of the 24 caprices "avec accompagnement de pianoforte" by John Liptrot Hatton (1870) arrangement of No. 13 by Jenő Hubay (c. 1925) arrangement of Nos. 13, 20 and 24 by Fritz Kreisler (1911) arrangement of Nos. 17 and 24 by Leopold Auer (1922)
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