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Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
Magyar vándor (English: The Hungarian Strayer [1] or Hungarian Vagabond [2]) is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi. The plot contains elements of time travel fiction.
Hungarian cinema began in 1896, when the first screening of the films of the Lumière Brothers was held on the 10th of May in the cafe of the Royal Hotel of Budapest.In June of the same year, Arnold and Zsigmond Sziklai opened the first Hungarian movie theatre on 41 Andrássy Street named the Okonograph, where they screened Lumière films using French machinery.
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
120 Kilometres an Hour (Hungarian: 120-as tempó) is a 1937 Hungarian comedy film directed by László Kardos and starring Béla Mihályffi, Lili Muráti and Gyula Kabos. [1] It was shot at the Hunnia Studios in Budapest. It was one of the most successful films at the Hungarian box-office during the decade. [2]
In Budapest in 1957, a year after the failure of the Hungarian uprising, Jung is a mid-level agent informing on many other citizens who come to report to him. He is in charge for an elaborate testing process to ascertain loyalty to Kádár's regime, but he does not realize that he is being watched and photographed too, by his superior and mentor, Marko.
No Coincidence (Hungarian: Nincsenek véletlenek) is a 1939 Hungarian comedy film directed by László Kalmár and starring Ida Turay, László Szilassy and József Juhász. [1] It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Márton Vincze.
Post-mortem photograph of a dead girl and her parents. In 1918, towards the end of First World War, on a battlefield, the Austrian soldier Tomás is left for dead after an artillery explosion, being thrown into the mass grave; however, an older soldier sees him still breathing in the pile of corpses and pulls him out of a flooded trench, where in a semi-conscious state due to the explosion, he ...