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Galoshes are overshoes, and not to be confused with the form of large slip-on rubber boots (known in the United Kingdom as Wellington boots). A protective layer (made variously of leather , rubber, or synthetic ripstop material) that only wraps around a shoe's upper is known as a spat or gaiter .
London Evening Standard ' s Smyth commended the release, calling the songs "tastefully modernised", [10] and Video Game Writers ' s Bosier dubbed it "the gem of the collection" for invoking "the feeling of the game" and "a nice retro-vibe". [8] The album was nominated for Best Album – Remix from Video Game Music Online. [15]
The Grammy Award for Best Remixed Recording, Non-Classical is an honor presented to producers for quality remixed recordings at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. [1]
Colorful costumes, endless radio play, and big-money music videos supported the top tunes throughout the '90s. ... From D'Angelo's debut studio album, this sultry track mixes soul, funk, and R&B ...
Video albums by individual artists should not be put in this main category. Instead, they should be placed in their own subcategories of Category:Video albums by artist, under the format [[Category:(Artist name) video albums]]. The only video albums in this category should be compilation albums of many artists, or articles about series of video ...
The track was featured on the singer’s Grammy-winning album, 25. Image credits: Adele. Reacting to a clip of the two songs, many netizens agreed that Adele’s and da Vila’s melodies sounded ...
The B-52's Time Capsule: Videos for a Future Generation 1979–1998; B-Sides & Rarities (Deftones album) B'Day Anthology Video Album; Babalon A.D. (So Glad for the Madness) Back Again... No Matter What; Bad Hair Day: The Videos; Ballad & Pop Hits – The Complete Video Collection; Barelaked Nadies; Bartholomew Cubbins 2006–2014; Bat Out of ...
"Keep On Jumpin'" is a song written by musician Patrick Adams and Ken Morris. This track has been remade, remixed, and sampled numerous times, but only the 1978 original by Adams's group Musique and Todd Terry's 1996 updated version with Martha Wash & Jocelyn Brown (who was also a member of Musique) reached number one on the US Billboard Hot Dance Club Play chart.