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The noun merkavah "thing to ride in, cart" is derived from the consonantal root רכב r-k-b with the general meaning "to ride". The word "chariot" is found 44 times in the Masoretic Text of the Hebrew Bible—most of them referring to normal chariots on earth, [5] and although the concept of the Merkabah is associated with Ezekiel's vision (), the word is not explicitly written in Ezekiel 1.
Ma'aseh Bereshit (following Genesis 1) comprises the cosmogony of the Talmudic times; Ma'aseh Merkavah (based on the description of the Divine Chariot in Ezekiel 1, and on other prophetic descriptions of divine manifestations, such as Isaiah 6), is concerned with the theosophic views of those times.
The Hekhalot literature (sometimes transliterated Heichalot) from the Hebrew word for "Palaces", relating to visions of ascents into heavenly palaces.The genre overlaps with Merkabah or "Chariot" literature, concerning Ezekiel's chariot, so the two are sometimes referred to together as "Books of the Palaces and the Chariot" (ספרות ההיכלות והמרכבה ).
Katha Upanishad, in Book 1, hymns 3.3-3.4, describes the widely cited proto-Samkhya analogy of chariot for the relation of "Soul, Self" to body, mind and senses. [33] Stephen Kaplan [34] translates these hymns as, "Know the Self as the rider in a chariot, and the body as simply the chariot. Know the intellect as the charioteer, and the mind as ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Kishwar Naheed has also written eight books for children and won the prestigious UNESCO award for children's literature. [5] Her love for children is as much as her concern for women. She expresses this concern in her poem, Asin Burian We Loko, which is a touching focus on the plight of women in the present male-dominated society. Naheed has ...
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His literary masterpieces on the Bengal famine and the savagery and barbarism that took place at the time of the partition of India in 1947 are some of the finest specimens of modern Urdu literature, but at other times, too, he continued relentlessly to critique the abuse of power, poverty and the suffering of the wretched of the earth; but ...