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String Quartet in G Minor: Scores at the International Music Score Library Project; Performance of String Quartet by the Borromeo String Quartet at the Isabella Stewart Gardner Museum in MP3 format 'Debussy Quartet in G minor, Op. 10', lecture by Roger Parker and performance by the Badke Quartet at Gresham College, 29 January 2008
The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled Quelques souvenirs d'un éditeur de musique, wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music.
Completed in July 1914, the suite was Debussy's only completed composition that year. In 1915 Debussy transcribed them for piano solo. [ 1 ] Much of the music (over 100 measures ) is taken from the musical accompaniments he had written in 1901 for his friend Pierre Louÿs 's erotic lesbian poems Les Chansons de Bilitis .
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Debussy c. 1900. Dances for Harp and String Orchestra, in full in the original, Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy.
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
[1] [3] Debussy's trio for flute, viola and harp is known a staple for the ensemble and the model that inspired other composers to write for the same instrumentation. [ 6 ] [ 1 ] Both of these early works for flute, viola and harp demonstrate the ensemble's unique sound, paving the way for numerous trios by various composers in the twentieth ...
Writing "images", Debussy was purposely intending not to create linear musical progression, but a sonic representation of water. Reflets dans l'eau is also an example of the new tone colors Debussy discovered for the piano in this part of his life, and although he later refined this style, it is representative of a major breakthrough in piano ...
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