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In this cameo the top red-brown layer has been carved into roses. The face is carved from the white layer. The collector Richard Payne Knight purchased the Flora cameo from an Italian dealer, believing it to be Roman. The Italian carver Pistrucci claimed to have carved it himself. Payne challenged Pistrucci to carve a copy to prove his claim.
Perhaps due to the theme, the designs for this high jewelry debut are particularly transporting. For example, the Moussaillon necklace, which is carved in yellow, white, and rose gold to mimic a ...
The fossilised material, jet was valued because it was lightweight, intense black in colour, durable, inexpensive and could be easily carved. [3] [10] Jet was used to design mourning jewellery such as bracelets, necklaces, brooches, cameos and pendants. [8] [10] After the death of Prince Albert, Queen Victoria’s love of jewellery was less ...
Nowadays a wide range of such traditionally inspired items such as bone carved pendants based on traditional fishhooks hei matau and other greenstone jewellery are popular with young New Zealanders of all backgrounds – for whom they relate to a generalized sense of New Zealand identity. These trends have contributed towards a worldwide ...
The iconic Cartier Panthère is also represented, but, in singular Callas style, resting on a piece of carved white chalcedony. There is also the Cartier open and shut Rose clip brooch acquired in ...
Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
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