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2. Force Ten (song) - Wikipedia

   en.wikipedia.org/wiki/Force_Ten_(song)

   "Force Ten" was released in the United States by Mercury Records as a 12" vinyl one-track promotional single in 1987. [1] It is the opening track of Rush's studio album Hold Your Fire, and the song later appear on compilation albums such as Chronicles, Retrospective II, The Spirit of Radio: Greatest Hits 1974-1987, Gold, Icon, and Sector 3. [10]

3. Mission (song) - Wikipedia

   en.wikipedia.org/wiki/Mission_(song)

   Music critics gave "Mission" good reviews. Metal Storm considered the song, along with " Lock and Key ", a classic moment from Hold Your Fire . [ 10 ] The song was called by Allmusic a "sheer beauty".

4. Roll the Bones - Wikipedia

   en.wikipedia.org/wiki/Roll_the_Bones

   Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).

5. Circumstances (song) - Wikipedia

   en.wikipedia.org/wiki/Circumstances_(song)

   "Circumstances" is a song by Canadian rock band Rush from its 1978 album Hemispheres. Lyrically, it is an autobiographical account by drummer Neil Peart about the time he spent living in England, and his eventual disillusionment with his then-current occupations.

6. Clockwork Angels - Wikipedia

   en.wikipedia.org/wiki/Clockwork_Angels

   On Rush's Clockwork Angels Tour, the band definitely meant for the strings to be featured and acoustic." [ 15 ] Though the band's 1976 and 1978 albums 2112 and Hemispheres are often referred to as concept albums, Clockwork Angels is the band's only true concept album as the album features a continuous theme with the lyrics telling a story that ...

7. Freewill (song) - Wikipedia

   en.wikipedia.org/wiki/Freewill_(song)

   Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown , Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo.