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The exiting of the bridal party is also called the wedding recessional. At the end of the service, in Western traditions, the bride and groom march back up the aisle to a lively recessional tune, a popular one being Felix Mendelssohn 's Wedding March from A Midsummer Night's Dream (1842). [ 6 ]
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
Wagner’s piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. [1] The chorus is sung in Lohengrin by the women of the wedding party after the ceremony, as they accompany the heroine Elsa to her bridal chamber.
The Bridal Chorus, from Richard Wagner's opera Lohengrin, used as wedding processional music; The "Wedding March", from Felix Mendelssohn's incidental works (Op. 61), used as wedding recessional music; Wedding Song, orchestral work by Elisabetta Brusa; Hochzeits-Lied (Wedding Song), by Kurt Weil from The Threepenny Opera
There are so many beautiful things about getting married in the 21st century, from being able to marry whomever you love to breaking any and all wedding traditions.
A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church ,the Seventh-day Adventist Church , and Anglican Church , an equivalent to the concluding voluntary , which is called a Recessional Voluntary, for example a Wedding Recessional.
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Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, "Pomp and Circumstance" March No. 1.
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