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Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
Modulation is sometimes said to be problematic for shape-note systems, since the shapes employed for the original key of the piece no longer match the scale degrees of the new key; [5] but the ability to use of sharp and flat symbols along with shape notes is a matter of the range of sorts available to the typographer and musical preferences.
The Southern Harmony, and Musical Companion is a shape note hymn and tune book compiled by William Walker, first published in 1835. The book is notable for having originated or popularized several hymn tunes found in modern hymnals and shape note collections like The Sacred Harp.
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions, all of them rooted in the Southern United States .
Sacred Harp and Related Shape-Note Music Resources, a large and well-annotated collection of resources on shape-note music; Sacred Harp Publishing Company, songbooks and other resources; Public-domain editions: The Sacred Harp, (1911, rev. J. S. James et al.) (for other shape note tunebooks see these links) "Wiregrass Sacred Harp Singers Era 1980"
The Christian Harmony is a shape note hymn and tune book compiled by William Walker. The book was released in 1866 (1867 according to some sources). The book was released in 1866 (1867 according to some sources).
The annual all-day singing from the Shenandoah Harmony at Cross Keys typically ends by singing Davisson's "Retirement" at the graveside of the composer.. The Shenandoah Harmony is a 2013 republication of the works of Ananias Davisson (1780–1857) and other composers of his era, in the format used by modern shape note singing groups.
Harmonia Sacra is a Mennonite shape note hymn and tune book, originally published as A Compilation of Genuine Church Music in 1832 (Singers Glen, Virginia) by Joseph Funk (1778–1862). The original publication was a "four-shape" shape note book using the shapes and syllables "faw, sol, law, and mi".
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