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Jan van der Heyden (1637–1712), Dutch Baroque-era painter, glass painter, draughtsman and printmaker; Jan Vanderheyden (1890–1961), Belgian film producer and director; JCJ Vanderheyden (1928–2012), Dutch painter and photographer; Kris Vanderheyden or Insider, Belgian techno and electronic music pioneer
Jan van der Heyden: 1670 Academy of Fine Arts Vienna: 67 Vase of Flowers: Simon Pietersz Verelst: 1670 Cleveland Museum of Art: 68 Flowers in a Glass Vase: Dirck de Bray: 1671 Los Angeles County Museum of Art: M.2009.106.4 69 Still Life with Flowers: Dirck de Bray: 1674 private collection: 70 Still Life with Walnuts, Tobacco and Wine: Hubert ...
Pieter van der Heyden [1] (c. 1530 - after March 1572) was a Flemish printmaker who is known for his reproductive engravings after works by leading Flemish painters and designers of the 16th century. [ 2 ]
Jan van der Heyden (5 March 1637, Gorinchem – 28 March 1712, Amsterdam) was a Dutch Baroque-era painter, glass painter, draughtsman and printmaker. Van der Heyden was one of the first Dutch painters to specialize in townscapes and became one of the leading architectural painters of the Dutch Golden Age .
Eglon van der Neer (1634–1703), Dutch : Moonlit Landscape with Bridge, oil on panel, ID: 1990.6.1 Neroccio di Bartolomeo de' Landi (1447–1500), Sienese : Madonna and Child with Saint Anthony Abbot and Saint Sigismund , tempera on panel, ID: 1952.5.17
Jacob van der Heyden (1573–1645) was a Flemish Baroque painter, sculptor and engraver. Portrait of Frederick V, Margrave of Baden-Durlach According to Houbraken he was a painter from Strasbourg who painted for royalty.
Van der Heyden was a guest lecturer repeatedly and taught from 1987 at the Rijksakademie van Beeldende Kunsten in Amsterdam. Between 1964 and 1975 Vanderheyden experimented with film, new media , computer graphics , sound equipment, breathing exercises, photography and printing technology .
Jan Vanderheyden (10 October 1890 – 27 March 1961) was a Belgian film producer and director known for the Flemish comedies he made in the 1930s and 1940s. During the German occupation of Belgium between 1940 and 1944, he produced four of the six films made by Belgian companies in a market that was otherwise flooded by imported German films.
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