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James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. [1] It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain ...
James Gillray's satirical image about the scandal. In 1796, the artist Benjamin West, who was then president of the Royal Academy of Arts in London, purchased an old manuscript from Jemima and Thomas Provis that they claimed held the details of the materials and techniques that had been used by painters such as Titian, Tintoretto, and Veronese.
As James Gillray, the artist of this 1797 etching, died in 1815, his works are in the public domain throughout the world. However, under the "sweat of the brow" doctrine, new copyright claims could be made over mechanical reproductions of the etching, due to the skill and labour involved in the reproduction.
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Metropolitan Museum of Art, New York Uncorking Old Sherry is an 1805 satirical cartoon by the English caricaturist James Gillray . The title is a play on the drink sherry and the nickname of the playwright , theatre manager and politician Richard Brinsley Sheridan .
Metropolitan Museum of Art The American Rattle Snake is a political cartoon drawn by James Gillray and published by William Richardson on April 12, 1782. One of Gillray's earliest prints, it depicts a rattlesnake , symbolizing America, coiled around some British units.
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