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Leonidas Frank "Lon" Chaney (April 1, 1883 – August 26, 1930) was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. [ 1 ]
Lon's Wolf Man make-up partially consisted of yak hair being glued to his face, and having it singed with a hot iron. Chaney claimed Pierce would purposely burn him with the hot iron. Chaney also reputedly had an allergic reaction to the rubber headpiece make-up Pierce used on him in The Ghost of Frankenstein. Later, Chaney suffered with Pierce ...
Following the success of The Hunchback of Notre Dame in 1923, Chaney was once again given the freedom to create his own makeup, a practice which became almost as famous as the films he starred in. Chaney commented "In The Phantom of the Opera, people exclaimed at my weird make-up. I achieved the Death's Head of that role without wearing a mask.
Lon Chaney's makeup for the film included sharpened teeth and the hypnotic eye effect, achieved with special wire fittings which he wore like monocles. Based on surviving accounts, he purposefully gave the "vampire" character an absurd quality, because it was the film's Scotland Yard detective character, also played by Chaney, in a disguise.
Lon Chaney (April 1, 1883 – August 26, 1930) was an American actor during the age of silent films. He is regarded as one of cinema's most versatile and powerful actors, renowned for his characterizations of tortured, sometimes grotesque and afflicted characters, and his groundbreaking artistry with makeup. [ 1 ]
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Lon wrote to his brother George Chaney at the time how proud he was of this film (since he wrote it, directed it and played two parts in it using his extensive knowledge of makeup) and sent him three stills from it. [2] A site exists that shows photos of Chaney in makeup for the dual roles he played in the film, which see. [3]
"Now and then Lon Chaney tosses his make-up kit over the fence and acts like a human being. He appears "as is" in this picture, which shows crook stuff at its highest tempo, dwarfing THE BIG CITY to the size of a newsreel, and proving that an occasional straight role is fine balance for big character actors.
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