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The distinctive sound of "I'm Coming Out" and its resulting popularity has led to Ross's song often being sampled, most notably by Stevie J, who sampled the song for rapper The Notorious B.I.G.'s 1997 song "Mo Money Mo Problems" with Mase, Sean "Diddy" Combs and Kelly Price.
Upon its release, Music & Media described "It's All Coming Back to Me Now" as "passionate, full-blown pop/rock " which has "dramatic build-ups" and is "reminiscent" of T'Pau. [22] Mark Matthews of the Hartlepool Mail praised Caswell's "strong vocal" but felt the track is "very laboured" and "sounds like it could have been taken from an Andrew ...
"Mo Money Mo Problems" was able to top the Billboard Hot 100 for two weeks, giving Biggie his second number one hit in the US. The song hit number one after he had died. It was preceded by "I'll Be Missing You" by Puff Daddy featuring 112 and Faith Evans (meaning that Puff Daddy spent 13 weeks in a row at the top of the Hot 100) and was succeeded by "Honey" by Mariah Carey, which was also co ...
"Coming Up" is a song written and performed by the English rock musician Paul McCartney, released as the opening track on his second solo studio album McCartney II (1980). Like other songs on the album, the song has a synthesised sound, featuring sped-up vocals created by using a vari-speed tape machine.
"It's Beginning to Look a Lot Like Christmas" is a Christmas song written in 1951 by Meredith Willson. The song was originally titled "It's Beginning to Look Like Christmas". Perry Como was the first to record and release the song in 1951. The song has become a standard recorded by many artists.
Reich says in the liner notes of his album Early Works of using recorded speech as source material that "by not altering its pitch or timbre, one keeps the original emotional power that speech has while intensifying its melody and meaning through repetition and rhythm." The piece is a prime example of process music.
"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".
The US version won an MTV VMA in 2005 for Best New Artist in a Video, beating other nominees such as John Legend, Ciara, The Game, and My Chemical Romance. [56] The photos featured on the inner sleeve of the album Hot Fuss were shot on set during the filming of the UK version music video and were inspired by the black and white look of that video.