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Sociology of architecture is the sociological study of the built environment and the role and occupation of architects in modern societies. Architecture is basically constituted of the aesthetic, the engineering and the social aspects.
A cathedral has a specific ecclesiastical role and administrative purpose as the seat of a bishop.The cathedral (Latin: ecclesia cathedralis, lit. 'church of the cathedra') takes its name from the cathedra, 'seat' of the bishop, known as the episcopal throne.
Bangor Cathedral, Wales, c.1120-c.1880- Typical of the cathedrals of Britain, this small cathedral demonstrates its long history in its architecture, with no attempt to match the successive styles to each other. Early and late Gothic, Gothic Revival and 20th century sit side by side in a single building.
It passed into the church architecture of the Roman world and was adapted in different ways as a feature of cathedral architecture. [3] [full citation needed] The earliest large churches, such as the Cathedral of San Giovanni in Laterano in Rome, consisted of a single-ended basilica with one apsidal end and a courtyard, or atrium, at
A pro-cathedral is a parish or other church used temporarily as a cathedral, usually while the cathedral of a diocese is under construction, renovation, or repair. This designation applies only as long as the temporary use continues.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
The placement of the choir within a large Latin cross church The choir of Bristol Cathedral, with the nave seen through the chancel screen, so looking west. A choir, also sometimes called quire, [1] is the area of a church or cathedral that provides seating for the clergy and church choir.
Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". [20] For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned".