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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
The Tattered Dress is a 1957 American CinemaScope film noir crime film released by Universal Pictures and directed by Jack Arnold. It stars Jeff Chandler , Jeanne Crain , Jack Carson , Gail Russell and Elaine Stewart .
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The lighthearted, forward-looking attitude and fashions of the late 1920s lingered through most of 1930, [3] but by the end of that year the effects of the Great Depression began to affect the public, and a more conservative approach to fashion displaced that of the 1920s. For women, skirts became longer and the waist-line was returned up to ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
From bold-colored scarves to the zoot suit in Harlem to the mass popularity of bold acrylic nails, Black culture in […]
The film noir's light touches are magnificently caught in the rich depiction of rural life and the character study of a psychological breakdown due to a pressured psyche that induces schizophrenia. This makes for a fascinating watch. So Dark the Night is a rarely shown obscure film, and it is a beauty. Burnett Guffey used his camera effectively ...
Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. [64] The film got negative reviews. In a review for The New York Times , art critic Roberta Smith states that the film lacks the artist's usual finesse and is a retrospective of her work - "a fascinating if lumpish bit of Shermaniana."