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Between 1944 and 2003 he directed 48 feature-length films (44 narrative films and 4 documentaries) as well as many short films. He also served as writer and producer for many other films. In addition to his work in film, Bergman was a playwright and theatre director, and he simultaneously worked extensively in theatre throughout his film career.
The film has a 91% rating on Rotten Tomatoes based on 34 reviews. [6] Sheila O'Malley of RogerEbert.com awarded the film two and a half stars out of four. [2] Pat Brown of Slant Magazine also awarded the film two and a half stars out of four. [3] Allison Gilmor of the Winnipeg Free Press awarded the film four stars out of five. [7]
After the Rehearsal (Swedish: Efter repetitionen) is a television film, written and directed by Ingmar Bergman in 1984. The script contains numerous quotes from Strindberg 's A Dream Play . The film was screened out of competition at the 1984 Cannes Film Festival .
Ernst Ingmar Bergman [a] (14 July 1918 – 30 July 2007) was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, [1] [2] [3] his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". [4]
The Seventh Seal (Swedish: Det sjunde inseglet) is a 1957 Swedish historical fantasy film written and directed by Ingmar Bergman.Set in Sweden [3] [4] during the Black Death, it tells of the journey of a medieval knight (Max von Sydow) and a game of chess he plays with the personification of Death (Bengt Ekerot), who has come to take his life.
List of accolades and awards for Ingmar Bergman Signature Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. He is recognized as one of the most accomplished and influential filmmakers of all time, and is well known for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966 ...
“Bergman Island,” the lyrical and absorbing new drama written and directed by Mia Hansen-Løve (“Things to Come,” “Eden”), tells the story of two filmmakers who are a couple: Tony (Tim ...
In her review in The New Yorker, Kael wrote: Ingmar Bergman's film version of The Magic Flute is a blissful present, a model of how opera can be filmed. Bergman must have reached a new, serene assurance to have tackled this sensuous, luxuriant opera that has bewildered so many stage directors, and to have brought it off so unaffectedly.