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In typography, the mean line is the imaginary line at the top of the x-height. [1]Round glyphs will tend to break the mean line slightly in many typefaces, since this is aesthetically more pleasing, otherwise curved letters such as a, c, e, m, n, o, r, s, and u will appear visually smaller than flat-topped (or bottomed) characters of equal height, due to an optical illusion.
By finding the ideal measurement between the letter thickness and pen (writing tool) thickness, he established the style and form for the ideal beauty of tughras. [8] He is regarded as the first great Turkish painter in the Western sense of painting. His bird, parrot, painting is considered to be the first realist work of Turkish painting. [9]
The scribal letter known as textur or textualis, produced by the strong gothic spirit of blackletter from the hands of German area scribes, served as the model for the first text types. Johannes Gutenberg, around 1450, invented a lead type mold, applied it to an alphabet of about 24 characters, and used known press technology to print ink on ...
Movable type on a composing stick on a type case A specimen sheet issued by William Caslon, letter founder, from the 1728 edition of Cyclopaedia Diagram of a cast metal sort Typesetting is the composition of text for publication, display, or distribution by means of arranging physical type (or sort ) in mechanical systems or glyphs in digital ...
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
Don't settle for a standard, one-size-fits-all experience when you can make your inbox a destination that suits you to a 't', both aesthetically and functionally. 5 brilliant ways to customize ...
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
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