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The Wheat Field with Cypresses paintings were made when Van Gogh was able to leave the asylum. Van Gogh had a fondness for cypresses and wheat fields of which he wrote: "Only I have no news to tell you, for the days are all the same, I have no ideas, except to think that a field of wheat or a cypress well worth the trouble of looking at closeup."
The Van Gogh Museum's Wheatfield with Crows was painted in July 1890, in the last weeks of van Gogh's life. Many have claimed it as his last painting, while it is likely that Tree Roots was his final painting. Wheat Field with Crows, made on a double-square canvas, depicts a dramatic, cloudy sky filled with crows over a wheat field. [5]
The wheat field with cypresses paintings were made when van Gogh was able to leave the asylum. Van Gogh had a fondness for cypresses and wheat fields of which he wrote: "Only I have no news to tell you, for the days are all the same, I have no ideas, except to think that a field of wheat or a cypress well worth the trouble of looking at closeup."
Wheatfield Under Thunderclouds, 1890, Van Gogh Museum, Amsterdam. Wheatfield Under Thunderclouds (in Dutch, Korenveld onder onweerslucht) (F778, JH2097) is an 1890 oil painting by Vincent van Gogh. The painting measures 50.4 cm × 101.3 cm (19.8 in × 39.9 in).
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890.
First painting (F617), late June 1889, Kröller-Müller Museum, Otterlo, Netherlands [1] Reaper (French: faucheur, lit. 'reaper'), Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun.
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