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As such, found objects can prompt philosophical reflection in the observer ranging from disgust to indifference to nostalgia to empathy. As an art form, found objects tend to include the artist's output—at the very least an idea about it, i.e. the artist's designation of the object as art—which is nearly always reinforced with a title.
In Paris in the 1920s Alexander Calder, Jose De Creeft, Picasso and others began making fully 3-dimensional works from metal scraps, found metal objects and wire. In the U.S., one of the earliest and most prolific assemblage artists was Louise Nevelson, who began creating her sculptures from found pieces of wood in the late 1930s.
This list of found objects is a list of notable artworks, by artist, which are found objects (or are composed of found objects). These are each followed by a description of the "found" components. Louis Hirshman; Albert Einstein (1940) Caricature using mop hair, brush for nose and mustache, abacas chest. Gifted to the Philadelphia Museum of Art ...
Michelle Stitzlein is an American artist who creates found object art / sculpture from recycled materials. She received a BFA in 1989 from the Columbus College of Art and Design (in Columbus, Ohio). She and her husband Nathaniel Stitzlein (also an artist) founded Art Grange Studios in Baltimore, Ohio. At Art Grange they share their love of art ...
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A combine painting or Combine is an artwork that incorporates elements of both painting and sculpture. [1] [2] [3] Items attached to paintings might include three-dimensional everyday objects such as clothing or furniture, as well as printed matter including photographs or newspaper clippings.
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". [1] By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art.
Foerster started creating ‘zines while he was in high school. [10] Using the copy machine at his father’s office, Foerster and his friends printed Dear Henry Wang, a ‘zine composed of “random writing, stuff [they] found in dumpsters, photos, jokes, and interviews with punk bands from around Toronto.” [3] Issues were available in Toronto's cooperative-run store Who's Emma? where punk ...
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