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Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Universe (Notre univers) is a 1960 black-and-white documentary short film made in 1960 by Roman Kroitor and Colin Low for the National Film Board of Canada (NFB). The NFB writes: "[The film] creates on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space.
The Powers of Ten films are two short American documentary films written and directed by Charles and Ray Eames.Both works depict the relative scale of the Universe according to an order of magnitude (or logarithmic scale) based on a factor of ten, first expanding out from the Earth until the entire universe is surveyed, then reducing inward until a single atom and its quarks are observed.
The Sun; Sirius A with Sirius B, a white dwarf; the Crab Nebula, a remnant supernova; A black hole (artist concept); Vela Pulsar, a rotating neutron star; M80, a globular cluster, and the Pleiades, an open star cluster; The Whirlpool galaxy and Abell 2744, a galaxy cluster; Superclusters, galactic filaments and voids
Space art, also known as astronomical art, is a genre of art that visually depicts the universe through various artistic styles. It may also refer to artworks sent into space. [1] The development of space art was closely linked to advancements in telescope and imaging technology, which enabled more precise observations of the night sky.
Penrose diagram of an infinite Minkowski universe, horizontal axis u, vertical axis v. In theoretical physics, a Penrose diagram (named after mathematical physicist Roger Penrose) is a two-dimensional diagram capturing the causal relations between different points in spacetime through a conformal treatment of infinity.
The eminent art historian Erwin Panofsky also thought that illustration was from the 17th century, while his colleague Ernst Gombrich judged it to be modern. [1] In 1970, Jung's associate Marie-Louise von Franz reproduced and discussed the image in her book Number and Time , where it was captioned "The hole open to eternity, the spiritual ...
White people, Black people and East Asian people each tended to think that the figures resembled their own racial group, so, although some people were proud that their race appeared to have been selected to represent all of humankind, others viewed the figures as "terribly racist" for "the apparently blatant exclusion" of other races.
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