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  2. Pie Jesu - Wikipedia

    en.wikipedia.org/wiki/Pie_Jesu

    Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.

  3. Requiem (Lloyd Webber) - Wikipedia

    en.wikipedia.org/wiki/Requiem_(Lloyd_Webber)

    The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...

  4. Music for the Requiem Mass - Wikipedia

    en.wikipedia.org/wiki/Music_for_the_Requiem_Mass

    Some text extracts have been set to music independently, such as the Pie Jesu in the settings of Fauré (1880s), Dvořák (1890s), Duruflé (1940s) and Rutter (later). Pie Jesu are late words in the Dies irae and they are followed by the final words of the Agnus Dei:

  5. Requiem (Fauré) - Wikipedia

    en.wikipedia.org/wiki/Requiem_(Fauré)

    The orchestration of the final version comprises mixed choir, solo soprano, solo baritone, two flutes, two clarinets (only in the Pie Jesu), two bassoons, four horns, two trumpets (only in the Kyrie and Sanctus), three trombones, timpani (only in the Libera me), harp, organ, strings (with only a single section of violins, but divided violas and ...

  6. Requiem (Rutter) - Wikipedia

    en.wikipedia.org/wiki/Requiem_(Rutter)

    The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses.

  7. Requiem (Mozart) - Wikipedia

    en.wikipedia.org/wiki/Requiem_(Mozart)

    The first movement of the Offertorium, the Domine Jesu, begins on a piano theme consisting of an ascending progression on a G minor triad. This theme will later be varied in various keys, before returning to G minor when the four soloists enter a canon on Sed signifer sanctus Michael , switching between minor (in ascent) and major (in descent).

  8. Dies irae - Wikipedia

    en.wikipedia.org/wiki/Dies_irae

    An English version is found in various Anglican Communion service books. The first melody set to these words, a Gregorian chant, is one of the most quoted in musical literature, appearing in the works of many composers. The final couplet, Pie Jesu, has been often reused as an independent song.

  9. Lacrimosa - Wikipedia

    en.wikipedia.org/wiki/Lacrimosa

    English Lacrimosa dies illa ... Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged;