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Songs stayed on the chart for a long time and fewer songs made it on the chart. Ten songs had runs at number one of ten weeks or longer during the 1990s, with the longest coming from "Touch, Peel and Stand" by Days of the New at 16 weeks. ("Higher" by Creed spent 17 weeks at the top of the chart but its last couple of weeks ran into the year 2000).
As the decade progressed, a growing trend in the music industry was to promote songs to radio without the release of a commercially available singles in an attempt by record companies to boost albums sales. Because such a release was required to chart on the Hot 100, many popular songs that were hits on top 40 radio never made it onto the chart.
Ludacris gathered four number-one songs, including a feature on Usher's "Yeah!", which topped the Year-End chart of 2004. Nelly spent 23 weeks atop the chart with four entries. Justin Timberlake gained three number-one songs as a lead singer and one as a featured artist.
The 2000s in rock radio in the United States saw a continued blurring of the playlists among mainstream rock and alternative rock stations. Every track that was ranked by Billboard as the number-one song of the year on its Mainstream Rock Tracks chart during the decade was also a top-five hit on the Alternative Songs chart, most of which topped both charts.
The chart was known as Modern Rock Tracks until June 2009, when it was renamed Alternative Songs in order to "better [reflect] the descriptor used among those in the [modern rock radio] format." [3] 106 songs topped the chart in the 2000s; the first was "All the Small Things" by Blink-182, [4] while the last was "Uprising" by Muse. [5] "
Nas is regarded as one of the greatest rappers of all time. [23]Hip hop dominated popular music in the early 2000s. [24] [25] Artists such as Eminem, Outkast, Black Eyed Peas, T.I., 50 Cent, Kanye West, Nelly, Common, Nas, Jay-Z, Busta Rhymes, Puff Daddy, Snoop Dogg, Missy Elliott, M.I.A., Lil' Kim, Gorillaz, Jeezy, Lil Wayne, Timbaland, The Game, Cam'ron and Ludacris were among the dominant ...
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Reflecting on the decade's musical developments in Christgau's Consumer Guide: Albums of the '90s (2000), music critic Robert Christgau said the 1990s were "richly chaotic, unknowable", and "highly subject to vagaries of individual preference", yet "conducive to some manageable degree of general comprehension and enjoyment by any rock and roller."