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"The Wind Cries Mary" is a rock ballad [1] written by Jimi Hendrix. Hendrix wrote the song as a reconciliatory love song for his girlfriend in London, Kathy Etchingham.More recent biographical material indicated that some of the lyrics appeared in poetry written by Hendrix earlier in his career when he was in Seattle.
[89] [nb 8] Whereas "Fire" is a funk and soul hybrid driven by Mitchell's drumming, "May This Be Love" and "The Wind Cries Mary" are soft ballads that demonstrate Hendrix's ability to write thoughtful lyrics and subtle melodies. [90] The influence of raga rock can be heard in his sitar-like guitar solo on "Love or Confusion". [91] "
"Highway Chile" (/ tʃ aɪ l / CHAIL) is a song by the Jimi Hendrix Experience, issued as the B-side to their 1967 third British single "The Wind Cries Mary". The song was written by vocalist and guitarist Jimi Hendrix and titled to reflect his pronunciation of "child" without the "d" (a spelling subsequently used for "Voodoo Chile").
Although most of the material had been released in earlier compilations, some previously unreleased material (such as live versions of "Killing Floor" and "The Wind Cries Mary") was also included. The alternative recordings include some tracks from Hendrix's studio albums, including some from First Rays of the New Rising Sun .
"The Wind Cries Mary" Sting: 4:31: 6. "Voodoo Child (Slight Return)" Earth, Wind & Fire: 3:38: 7. "Power of Soul" Bootsy Collins (featuring George Clinton & the P-Funk All-Stars) 4:48: 8. "Burning of the Midnight Lamp" Eric Clapton: 4:23: 9. "Have You Ever Been (To Electric Ladyland)" Lenny Kravitz: 3:08: 10. "30 Years" James "Al" Hendrix: 0:13 ...
So when the album was released in the US, "Purple Haze", "Hey Joe" and "The Wind Cries Mary" were included at the expense of "Red House" and two other songs. [38] Hendrix later questioned the choice and commented "Everybody was scared to release 'Red House' in America because they said, 'America don't like the blues, man! ' " [39]
Its style is influenced by Jimi Hendrix ballads like "The Wind Cries Mary". [2] The song was written and named for Vaughan's wife at the time, Lenora. Vaughan also named one of his guitars "Lenny", which he used on "Lenny" and on his later instrumental ballad, "Riviera Paradise". The track was often played at live shows.
The Wind Cries Mary; The Ballad of Yachiyo; Sisters Matsumoto; A Fist of Roses (in collaboration with Campo Santo) Floating Weeds; Manzanar: An American Story (original symphonic piece with spoken narrative text - librettist) After the War (revised to After The War Blues in 2014)