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Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
The Woman Taken in Adultery is a painting of 1644 by Rembrandt, bought by the National Gallery in London in 1824, as one of their foundation batch of paintings. It is in oil on oak, and 83.8 x 65.4 cm. [1] Rembrandt shows the episode of Jesus and the woman taken in adultery from the Gospel of Saint John.
Study for the Painting of St. John the Baptist Preaching: c. 1633-1634: pen, brown ink and brown wash with white heightenings: 14.5 × 20.4 cm: Musée du Louvre, Paris: The drawing is related to the painting W110 : The Preaching of St. John the Baptist: c. 1633-1634?? Private collection: The drawing is related to the painting W110 : Three ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Van Dyke, John Charles: Rembrandt and His School: A Critical Study of the Master and His Pupils with a New Assignment of Their Pictures. (New York: Charles Scribner's Sons, 1923) Wetering, Ernst van de; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642. (Dordrecht: Martinus Nijhoff ...
Peter and John at the gate of the Temple: roughly etched: About 1629 B106: 1: St. Jerome kneeling: a large plate: About 1629 B115: 1: The small lion hunt: with two lions: About 1629 B116: 1: The small lion hunt: with one lion: About 1629 B149: 1: St. Paul in meditation: About 1629 B153: 5: The blindness of Tobit: a sketch: About 1629 B162: 1
Rembrandt was moved by the parable, and he made a variety of drawings, etchings, and paintings on the theme that spanned decades, beginning with a 1636 etching (see Gallery). The Return of the Prodigal Son includes figures not directly related to the parable but seen in some of these earlier works; their identities have been debated.