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Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ. The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong.
Tanjidor is a traditional Betawi musical ensemble developed in Jakarta, Indonesia. [1] This musical ensemble took the form of a modest orchestra and was developed in the 19th century, pioneered by Augustijn Michiels better known as Major Jantje in the Citrap or Citeureup area on the outskirt of Batavia.
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
Sapeh, also spelled sape, sapeʼ, sapek, sapeik, sapeq, sampeh, sampeʼ, sampek, or sampeq (/ s ʌ p ɛ ʔ /) is a traditional string instrument of Borneo-origin that developed in northern, eastern, [1] [2] and central regions of Sarawak and Kalimantan.
Talempong can be used to play a wide variety of music traditional and modern. Talempong have been used in some experimental gamelan pieces composed at Sekolah Tinggi Seni Indonesia Surakarta , which has West Sumatran instructors and students.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums.
Sape' are carved from a single bole of wood, with many modern instruments reaching over a metre in length. Technically, the sape is a relatively simple instrument, with one string carrying the melody and the accompanying strings as rhythmic drones. In practice, the music is quite complex, with many ornamentations and thematic variations.
Angklung padaeng is a musical instrument made of bamboo which is a modern variant of angklung. Traditional angklung used the slendro , pelog , and madenda scales. In 1938, Daeng Soetigna made an innovation so that the angklung could play diatonic notes.