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The Happiest Girl in the World, words by E. Y. Harburg, a 1961 Broadway musical; Christopher Columbus, words by Don White, recorded in London in 1977 by Opera Rara; Le carnaval des revues and Les hannetons include pre-existing scores but were created under Offenbach and include some new music by him. [9]
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Murillo ou La corde du pendu (Aylic Langlé, 1853, also with music by Meyerbeer) Romulus (Dumas, Feuillet, Bocage, 1854) Le songe d'une nuit d'hiver (Plouvier, 1854) Le Brésilien, one-act 'comédie-vaudeville' by Meilhac and Halévy, songs by Offenbach, first performed at the Théâtre du Palais-Royal, 9 May 1863. The 'Ronde du Brésilien ...
Much of the music for this opera is based on three 12-note tone rows, which represent the themes of prayer, hope and freedom that dominate the opera. [219] 1950 The Consul (Menotti). This opera contains some of Menotti's most dissonant music. [215] 1951 Amahl and the Night Visitors (Menotti). This Christmas story was the first opera ...
Sullivan attended the Royal Academy of Music from 1856 to 1858 and the Leipzig Conservatoire in Germany from 1858 to 1861. [3] As his graduation piece, Sullivan composed a set of incidental music to Shakespeare's The Tempest. [3] Revised and expanded, it was performed at the Crystal Palace in 1862 and was an immediate sensation. He began ...
"The Bohemian Girl" : Scores at the International Music Score Library Project" (IMSLP) Photos from The Bohemian Girl; The libretto of the opera; Biography of Balfe with information about the opera; Sheet music for "Come with the gipsy bride; Heart bowed down", Birmingham, AL: Cawthon & McIntosh, from the Alabama Sheet Music Collection
The overture, which refers to several passages in the opera without becoming a pot-pourri, is heard on its own in concerts and has been recorded many times. Josephine Veasey (Béatrice), John Mitchinson (Bénédict), April Cantelo (Héro), Helen Watts (Ursule), John Cameron (Claudio), John Shirley-Quirk (Don Pedro), Eric Shilling (Somarone ...
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three- movement structure [ 1 ] – the outer movements are quick, the middle movement is slow.
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