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Modern Gothic exhibition cabinet (c. 1877–1880) is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst , MMA now credits its design and manufacture to Pabst alone.
The lower parts of the walls of the 16th century dining hall of St John's College, Cambridge are covered with wood panelling in a linenfold design. An English oak chest with complex linenfold panels. Linenfold (or linen fold ) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [ 1 ...
In the cabinets the lower part was usually a closed cupboard, paneled and ornamented, with terms between the different divisions, the figure issuing from the vase being now a head only, and now two-thirds of the whole; the top projected, and was upheld by the big columns; and all the surfaces were enriched with sculptures after the approved ...
Raised panel wood paneling is used to create a grid effect on a wall or the lower third of a wall. The individual panels have framed insets with beveled edges. Kitchen cabinets commonly use this ...
The elm-veneered panels of the doors are cameo carved to reveal the walnut underneath. Modern Gothic exhibition cabinet (c. 1875), Brooklyn Museum. The floral roundel is veneered ash, cameo-carved to reveal the black walnut underneath. Modern Gothic exhibition cabinet (c. 1877–80), Metropolitan Museum of Art. The maple-veneered panels of the ...
Executing Wetherill's designs, Maene carved the white marble altar, reredos and a 23-foot (7 m) tall rood screen. [49] Architect George T. Pearson designed a new building for St. Alban's Church (1915), in the Olney section of Northeast Philadelphia. John Barber executed its French Gothic woodwork, for which Maene did the figural carving. [50]
The carved panels of the main doors of St Sabina on the Aventine Hill, Rome, are very interesting specimens of early Christian relief sculpture in wood, dating, as the dresses show, from the 5th century. The doors are made up of a large number of small square panels, each minutely carved with a scene from the Old or New Testament.
Relief carving can be described as "carving pictures in wood". The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface.
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