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2. Sequence (music) - Wikipedia

   en.wikipedia.org/wiki/Sequence_(music)

   A false sequence is a literal repetition of the beginning of a figure and stating the rest in sequence: [1] J.S. Bach Prelude from Cello Suite in G J.S. Bach Prelude from Cello Suite in G, BWV 1007. A modulating sequence is a sequence that leads from one tonal center to the next, with each segment technically being in a different key in some ...

3. List of fifth intervals - Wikipedia

   en.wikipedia.org/wiki/List_of_fifth_intervals

   In the theory and practice of music, a fifth interval is an ordered pair of notes that are separated by an interval of 6–8 semitones. There are three types of fifth intervals, namely perfect fifths (7 semitones), diminished fifth (6 semitones), and; augmented fifth (8 semitones).

4. Harmonic series (music) - Wikipedia

   en.wikipedia.org/wiki/Harmonic_series_(music)

   Double the harmonic number means double the frequency (which sounds an octave higher). An illustration in musical notation of the harmonic series (on C) up to the 20th harmonic. The numbers above the harmonic indicate the difference – in cents – from equal temperament (rounded to the nearest integer). Blue notes are very flat and red notes ...

5. Circle of fifths - Wikipedia

   en.wikipedia.org/wiki/Circle_of_fifths

   In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F ♯ /G ♭, C ♯ /D ♭, G ♯ /A ♭, D ♯ /E ♭, A ♯ /B ♭, F ...

6. Roman numeral analysis - Wikipedia

   en.wikipedia.org/wiki/Roman_numeral_analysis

   Modern Schenkerians often prefer the usage of large capital numbers for all degrees in all modes, in conformity with Schenker's own usage. [ a ] Roman numeral analysis by Heinrich Schenker (1906) of the degrees ( Stufen ) in bars 13–15 of the Allegro assai of J. S. Bach's Sonata in C major for violin solo, BWV 1005.

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9. Consecutive fifths - Wikipedia

   en.wikipedia.org/wiki/Consecutive_fifths

   Consecutive fifths were usually considered forbidden, even if disguised (such as in a "horn fifth") or broken up by an intervening note (such as the mediant in a triad). [clarification needed] The interval may form part of a chord of any number of notes, and may be set well apart from the rest of the harmony, or finely interwoven in its midst ...