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Magtanim ay 'Di Biro (transl. "Planting rice is not a joke", [1] [a] and known in its English title as Planting Rice) [1] is a popular Tagalog folk song composed by Felipe de León. [ 2 ] [ 3 ] The song tells of the struggles of farmers, how one must twist and bend to plant rice in the muddy paddies all day, with no chance to sit nor stand.
Bagobo Rice Cycle, also known as Sugod Uno, is a tribal dance which portrays the rice production cycle. This includes the prepping the land, planting rice, watering the rice, and harvesting it. This dance also portrays rituals to say thank you for the rice that they were able to harvest. [9] Dugso Bukidnon Talaindig
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...
In modern weddings, the more jolly pakiring dance is performed instead, or dance and music troupes with synthesisers are hired to handle the entertainment and dancing. Some songs that are popular during Tausug wedding pangalay/pakiring dances include Lolay, Daling-daling, and a variation of the generic Filipino folk song “Planting rice”.
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Francisca Reyes-Aquino (March 9, 1899 – November 21, 1983) was a Filipino folk dancer and academic noted for her research on Philippine folk dance. She is a recipient of the Republic Award of Merit and the Ramon Magsaysay Award and is a designated National Artist of the Philippines for Dance.
Akiu no taue odori (秋保の田植踊) is a traditional rice-planting dance in Akiu, now part of Sendai, Miyagi Prefecture, Japan. Performed since the seventeenth century, ten female dancers accompanied by two or four males enact a repertoire of six to ten dances to the sound of flute , drums and bells. [ 1 ]